Feb. 27 – March 1 Holyoke Massachusetts

Free improvisation in the Northeast has become heterogeneous and available, compared to its earlier lower-case incarnation in Boston, now largely dispersed. This region has drawn together  electronic and acoustic enthusiasts beyond anyone’s expectations, in fact the best illustration of the near-merger today of free improv and noise that’s found elsewhere. It seems that free playing and amorphous inclusion (everyone welcome to try their hand) belong together, rather than high art exclusiveness.

Massachusetts is the home of XFest, a player-organized event now in its seventh year, where this trend is concentrated. It is the largest festival of “outside music” (some might call avant-garde) in the country, certainly in terms of participants. This year, Feb. 27-March 1 (whatever the weather!) there will be around 70 invitees from the Northeast and 30 from outside the region. One-third of performances will be  groups of players more or less known to each other; the rest are completely ad hoc, combinations determined by the three players organizing the event. There will also be an afternoon of workshops, attended by musicians themselves as well as audience.

The first five years of this festival were in Lowell, with an audience made up almost exclusively of other musicians, and not at all dismayed at this. In 2014 it moved to Holyoke in what’s called Pioneer Valley, a corridor of universities and resistant counterculture in Western Mass. Here for the first time there was a significant audience of non-participants, many of whom could imagine themselves as players; some possibly did so as a result.

XFest is significant in terms of the broad history of free improvisation, an extension of Baltimore’s High Zero (still going strong) and London’s Company Week earlier. In fact Derek Bailey would be right at home at XFest.

Xfest main page

Press release

visiting artists

local artists

The final schedule

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